CBSE Board Class XI 11th Caranatic Melodic Instrument Syllabus & Music Theory notes

Caranatic Music Melodic Instrument – Practical (Code No. 032) Syllabus for Class – XI 11th

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Caranatic Music Melodic Instrument

 Syllabus for Class XI 11th

Periods : 405                                                                                                                                                                                                                                                       Max. Marks : 75

CARNATIC MUSIC (MELODIC INSTRUMENTAL) (CODE NO. 032) CLASS–XI: (THEORY)

One theory paper                                                                                                                       Total Marks: 100

Hours Marks : 30                                                                                                                         72 period

Theory:

History and Theory of Indian Music

1. Brief history of Carnatic Music with special reference to Silappadikaram, Natyasastra, Sangita Ratnakara and Chaturdandi Prakasika.
2. Short life sketch and contributions of the following:- Veena Dhanammal, flute Saraba Sastry, Rajamanikkam Pillai, Tirukkodi Kaval Krishna lyer (violin) Rajaratnam Pillai (Nagasvaram), Thyagaraja, Syamasastry, Muthuswamy Deekshitar, Veena Seshodana.
3. Brief study of the musical forms, Kriti, Varnams, Geetam and Svarajati, Keertana & Padam.
4. Definition and explanation of the following: Nada, Sruti, Svara, Jaati, Raga, Tala, Jati, Yati, Suladisapta talas, Nadai, Arohana, Avarohana.
5. Candidates should be able to write in notation the compositions in the prescribed ragas.
6. Lakshanas of the ragas prescribed for Practical.
7. Talas Prescribed: Adi, Roopaka, Misra Chapu and Khanda Chapu. A brief study of Suladi Saptatalas Scheme.
8. A brief introduction to Manodhama Sangitam

All Cbse music syllabus

CLASS–XI (PRACTICAL)

One Practical Paper

Marks: 70  168 Periods

Practical Activities

1. Ragas Prescribed: Mayamalavagowla, Sankarabharana, Kharaharapriya, Kalyani, Kambhoji, Madhyamavati, Arabhi, Pantuvarali Vedaragaula, Vasanta, Anandabharan, Hanada, Dhanyasi.
2. Varnams (atleast four) in Aditala in two degree of speed.
3. Atleast one authentic compositions traditionally rendered in each of the prescribed ragas, covering the main Talas Adi, Rupakam and Chapu.
4. Brief alapana of the ragas prescribed.
5. Technique of playing niraval and kalpana svaras in Adi, and Rupaka talas in Vilamba and Madhyamakalas.
6. The candidate should be able to produce all the gamakas pertaining to the chosen instrument.

Class XI 11th  Caranatic Melodic Instrument syllabus & Answer,theory notes in Hindi  are described  in this post  .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..

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