Class 12th Vocal & Instrumental Music syllabus – Music Theory notesÂ
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HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for AssessmentÂ
Class XII
TOTAL: 100 Marks   Time: 02 Hours
Theory 30 Marks
Practical 70 Marks
Time: 25-30 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
| Sr. No | Value Points | Marks | |
| 1. | Choice Raga (Vilambit and Drut Khayal) | 10+5=15 | |
| 2. | Examiner’s Choice Ragas | 10 | |
| 3. | One Tarana and one Dhamar with dugun and Chaugun | 5+5=10 | |
| 4. | One Composition of Sadra or Dadra | 06 | |
| 5. | Folk song | 04 | |
| 6. | Identification of Ragas | 05 | |
7. | Reciting the Thekas of Prescribed Talas with hand beats in Thah and Dugun and Chaugun | 5+5=10 | |
| 8. | Tuning of Tanpura and questions regarding | 5 | |
| 9. | Practical file | 5 |
HINDUSTANI MUSIC VOCAL (Code – 034) Course StructureÂ
Class XII
Theory -60 periods  Time: 02 hours
TOTAL: 100 Marks
Marks – 30
- Questions to be set with internal choice covering the entire syllabus unit wise
- Â Candidate has to attempt at least one question from each unit.
| No. | Units | No.of Periods | Marks | |
| Units 1 | 12 | |||
| 1.1 | Brief study of the following Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak. | 05 | 06 | |
| 1.2 | Brief study of the following Sadra, Dadra, Gram, Murchhana, Alap, Tana. | 07 | ||
| Unit 2 | ||||
| 2.1 | Study of the following Classification of Ragas- Anicent, Medieval and Modern | 06 | 06 | |
| 2.2 | Historical development of time theory of Ragas | 06 | ||
| Unit 3 | ||||
| 3.1 | Detail study of the following I. Sangeet Ratnakar II. Sangeet Parijat | 06 | 06 | |
| 3.2 | Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit | 06 | ||
| Unit 4 | ||||
| 4.1 | Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun | 07 | 06 | |
| 4.2 | Study of various parts and tuning of Tanpura | 05 | ||
| Unit 5 | ||||
| 5.1 | Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them | 05 | 06 | |
| 5.2 | Writing in Notation the Compositions of Prescribed Ragas. | 07 | ||
Class XII
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Practical  – 160 periods                                                                                        Marks – 70
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| S.No | Topics | No. of periods |
| 1. | Two Vilambit Khayal with simple elaborations and few in any two of the prescribed Ragas. | 25 |
| 2. | One Drut Khyal woth simple elaboration and few tanas in the following Rgas- Bhairav, Bagesshri, Suddha Sarang and Malkauns. | 60 |
| 3. | One Tarana and one Dhamar with dugun and chaugun in any one of the oprescribed Ragas. | 15 |
| 4. | a.                     One composition of Sadra or Dadra b.                   Folk song. | 10 |
| 5. | Ability to recognize the Ragas from the Phrases of swaras rendered by the examiner. | 10 |
| 6. | Recitation of the Thekas of Jhaptala, Rupak, Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats. | 24 |
| 7. | Knowledge of the structure and tuning of Tanpura. | 16 |
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* Teachers will refer to the distribution of marks while examining the candidate for practical examination
Class 12th Vocal Music syllabus & Music theory notes in Hindi  are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method . Saraswati sangeet sadhana …….
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