Class 12th Vocal & Instrumental Music syllabus – Music Theory notes
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HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for Assessment
TOTAL: 100 Marks Time: 02 Hours
Theory 30 Marks
Practical 70 Marks
Time: 25-30 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
|1.||Choice Raga (Vilambit and Drut Khayal)||10+5=15|
|2.||Examiner’s Choice Ragas||10|
|3.||One Tarana and one Dhamar with dugun and Chaugun||5+5=10|
|4.||One Composition of Sadra or Dadra||06|
|6.||Identification of Ragas||05|
Reciting the Thekas of Prescribed Talas with hand beats in
Thah and Dugun and Chaugun
|8.||Tuning of Tanpura and questions regarding||5|
HINDUSTANI MUSIC VOCAL (Code – 034) Course Structure
Theory -60 periods Time: 02 hours
TOTAL: 100 Marks
Marks – 30
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each unit.
|1.1||Brief study of the following|
Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak.
|1.2||Brief study of the following|
Sadra, Dadra, Gram, Murchhana, Alap, Tana.
|2.1||Study of the following|
Classification of Ragas- Anicent, Medieval and Modern
|2.2||Historical development of time theory of Ragas||06|
|3.1||Detail study of the following|
I. Sangeet Ratnakar
II. Sangeet Parijat
|3.2||Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit||06|
|4.1||Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun||07||06|
|4.2||Study of various parts and tuning of Tanpura||05|
|5.1||Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them||05||06|
|5.2||Writing in Notation the Compositions of Prescribed Ragas.||07|
Practical – 160 periods Marks – 70
|S.No||Topics||No. of periods|
|1.||Two Vilambit Khayal with simple|
elaborations and few in any two of the prescribed Ragas.
|2.||One Drut Khyal woth simple elaboration and few tanas in the following Rgas-|
Bhairav, Bagesshri, Suddha Sarang and
|3.||One Tarana and one Dhamar with dugun and|
chaugun in any one of the oprescribed Ragas.
|4.||a. One composition of Sadra or Dadra|
b. Folk song.
|5.||Ability to recognize the Ragas from the|
Phrases of swaras rendered by the examiner.
|6.||Recitation of the Thekas of Jhaptala, Rupak,|
Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats.
|7.||Knowledge of the structure and tuning of|
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* Teachers will refer to the distribution of marks while examining the candidate for practical examination
Class 12th Vocal Music syllabus & Music theory notes in Hindi are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method . Saraswati sangeet sadhana …….
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