Class 12th Vocal & Instrumental Music syllabus – Music Theory notes
For getting Answer of this music syllabus Scroll down Search the topic in search bar of website . You will get the appropriate answer for the question.
HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for Assessment
Class XII
TOTAL: 100 Marks Time: 02 Hours
Theory 30 Marks
Practical 70 Marks
Time: 25-30 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
| Sr. No | Value Points | Marks | |
| 1. | Choice Raga (Vilambit and Drut Khayal) | 10+5=15 | |
| 2. | Examiner’s Choice Ragas | 10 | |
| 3. | One Tarana and one Dhamar with dugun and Chaugun | 5+5=10 | |
| 4. | One Composition of Sadra or Dadra | 06 | |
| 5. | Folk song | 04 | |
| 6. | Identification of Ragas | 05 | |
7. | Reciting the Thekas of Prescribed Talas with hand beats in Thah and Dugun and Chaugun | 5+5=10 | |
| 8. | Tuning of Tanpura and questions regarding | 5 | |
| 9. | Practical file | 5 |
HINDUSTANI MUSIC VOCAL (Code – 034) Course Structure
Class XII
Theory -60 periods Time: 02 hours
TOTAL: 100 Marks
Marks – 30
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each unit.
| No. | Units | No.of Periods | Marks | |
| Units 1 | 12 | |||
| 1.1 | Brief study of the following Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak. | 05 | 06 | |
| 1.2 | Brief study of the following Sadra, Dadra, Gram, Murchhana, Alap, Tana. | 07 | ||
| Unit 2 | ||||
| 2.1 | Study of the following Classification of Ragas- Anicent, Medieval and Modern | 06 | 06 | |
| 2.2 | Historical development of time theory of Ragas | 06 | ||
| Unit 3 | ||||
| 3.1 | Detail study of the following I. Sangeet Ratnakar II. Sangeet Parijat | 06 | 06 | |
| 3.2 | Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit | 06 | ||
| Unit 4 | ||||
| 4.1 | Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun | 07 | 06 | |
| 4.2 | Study of various parts and tuning of Tanpura | 05 | ||
| Unit 5 | ||||
| 5.1 | Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them | 05 | 06 | |
| 5.2 | Writing in Notation the Compositions of Prescribed Ragas. | 07 | ||
Class XII
Practical – 160 periods Marks – 70
| S.No | Topics | No. of periods |
| 1. | Two Vilambit Khayal with simple elaborations and few in any two of the prescribed Ragas. | 25 |
| 2. | One Drut Khyal woth simple elaboration and few tanas in the following Rgas- Bhairav, Bagesshri, Suddha Sarang and Malkauns. | 60 |
| 3. | One Tarana and one Dhamar with dugun and chaugun in any one of the oprescribed Ragas. | 15 |
| 4. | a. One composition of Sadra or Dadra b. Folk song. | 10 |
| 5. | Ability to recognize the Ragas from the Phrases of swaras rendered by the examiner. | 10 |
| 6. | Recitation of the Thekas of Jhaptala, Rupak, Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats. | 24 |
| 7. | Knowledge of the structure and tuning of Tanpura. | 16 |
For getting the 12th class whole course notes in pdf by Paying us. Click here for Buying notes in pdf form
* Teachers will refer to the distribution of marks while examining the candidate for practical examination
Class 12th Vocal Music syllabus & Music theory notes in Hindi are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method . Saraswati sangeet sadhana …….
Click here For english information of this post ..
Some posts you may like this…
please provide me new sylabus notes
Search in search bar we have uploaded every topic if any one left please inform in comment box …
The sarda topic i did not get
please type full description of topic then after we help you…
the topic is sadra not sarda , type in searcing bar you will get..
what are the prescribed ragas
see downwords ragas are described ..