Class XII 12th Music Percussion instruments syllabus – Music Theory notes in hindi
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HINDUSTANI MUSIC Percussion Instruments (Code – 036) Examination Structure for Assessment
Class XII
TOTAL: 100 Marks
Theory Time: 02 hours                                                                                                           30 Marks
 Practical 70 Marks
Time: 20-25 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
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| Sr. No | Value Points | Marks |
| 1. | Tuning of Instrument and questions regarding instrument | 10 |
| 2. | Choice Raga performance with Peshkar, Utham, Kayda, Rela, Tukra, Chakradar, Param and Gat | 10 |
| 3. | Tala of Examiner’s choice from the prescribe syllabus | 10 |
| 4. | Accompaniment of Ektala/chautal in viambit & Drut Laya | 10 |
| 5. | Reciting of Tala and composition with hand beats in different layas | 10 |
 Teachers will refer to the distribution of marks while examining the candidate for practical examination
| 20 |
HINDUSTANI MUSIC PERCUSSION INSTRUMENTS (Code – 036)
Examination Structure for Assessment Class XII
TOTAL: 100 Marks
 Theory Time: 02 hours
30 Marks
- Â Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each
Distribution of Marks
Â
| No. | Units | No.of Periods 60 | Marks 30 |
| Units 1 | 11 | 06 | |
| 1.1 | Short notes of the following Uthan/Peskhar, Chakradar, and Baant | 05 | |
| 1.2 | Comparative study of the following: (a)Â Chautala-Ektala (b)Â Jhaptala-Sultala (c) Teentala-Tilwada | 06 | |
| Unit 2 | 11 | 06 | |
| 2.1 | Classification of Layakari | 06 | |
| 2.2 | Brief description of Gharanas of Tabla or Pakhawaj | 05 | |
| Unit 3 | 13 | 06 | |
| 3.1 | History of Tabla or Pakhawaj | 06 | |
| 3.2 | Brief history of Medieval and Modern period of Hindustani Music specially in the field of percussion instruments. | 07 | |
| Unit 4 | 12 | 06 | |
| 4.1 | Biographies of Pandit Kishan Maharaj, Ustad Karamatullah Khan and Ustad Zakir Hussain | 06 | |
| 4.2 | Silent feature of Raja Chatrapati Singh, Guru Purushotam Das and Pandit Pagal Das. | 06 | |
| Unit 5 | 13 | 06 | |
| 5.1 | Writing notation of the prescribed Talas and compositions | 07 | |
| 5.2 | Recognition of Talas from given portion of the Thekas and compositions. Prescribe Talas: Teentala/Adi tala, Rupak/Tevra | 06 | |
Class- XII
 Practical- 160 Periods                                                                                    70 Marks
 Course Structures
| S.No | Topics | No. of periods |
| 1. | Ability to Play Theka of Rupak/Teevra, Dhamar/ Adachartala on Tabla/Pakhawaj with simple elaborations. | |
| 2. | Uthan/Peshkar, Four Kaydas, Two Relas, Two Sadharan Tukras or Parans, Two Chakradar Tukras or Parans, One Farmaichi | |
| 3. | (a) Ability to play Two Advance Kayadas/ Relas with four Paltas and Tihai, Two simple Tukras, Two Sadharan Chakradar Tukras or Parans, Two Damdar Tihais and one Paran in Rupak/Tevra Tala | |
| 4. | Recitation of the prescribed Talas and composition with Thah, Dugun and Chaugun Laya keeping Tala with hand beats. | |
| 5. | A few simple laggis in Dadra and Keharwa tala or Thapia on Pakhawaj | |
| 6. | Knowledge of tuning of instrument opted for | |
| 7. | Solo performance of any one Tala of choice from the prescribed syllabus for 10-15 minutes | |
| 8. | Ability to accompaniment with Bhajan and Folk songs |
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