Class XII 12th Music Melodic instruments syllabus – Music Theory notes in hindi
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HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Examination Structure for Assessment (2019-10)
Class XII
TOTAL: 100 Marks
Theory Time: 02 hours 30 Marks
Practical 70 Marks
Time: 20-25 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
| Sr. no. | Value Points | Marks |
| 1. | Tuning of Instrument and questions regarding instrument | 05 |
| 2. | Aalap, Jor, Jhala with Meend in choice Raga. | 10+05=1 5 |
| 3. | Choice Raga (Masitkhani Gat and Razakhani) | 10 |
| 4. | Razakhani Gat with Toda and Jhala of Examiner’s choice | 05 |
| 5. | One composition in Ektala or in Jhaptala. | 05 |
| 6. | One Dhun | 05 |
| 7. | Identifying the Ragas. | 05+05=1 0 |
| 8. | Reciting the Thekas of Talas with hand beats in Thah and Dugun | 05+05=1 0 |
| 9. | Practical File | 05 |
Teachers will refer to the distribution of Marks while examining the candidate for Practical Examination.
| 15 |
HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Course Structure
Class XII TOTAL: 100
Theory- 60 Period
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each
| No. | Units | No. of Periods | Marks |
| Units 1 | 12 | 06 | |
| 1.1 | Brief study of the following Gram, Murchhana, Varna, Alankar, Alap, Tana. | 05 | |
| 1.2 | Brief study of the following Gamak, Meend, Kan, Khatka, Murki, krintan, Zamzama, Ghaseet, Sut. | 07 | |
| Unit 2 | 12 | 06 | |
| 2.1 | Study of the following Classification of Ragas- Ancient, Medieval and Moderm | 06 | |
| 2.2 | Historical development of time theory of Ragas | 06 | |
| Unit 3 | 12 | 06 | |
| 3.1 | Detail study of the following 1. Sangeet Ratnakar 2. Sangeet Parijat | 06 | |
| 3.2 | Life sketch and Contribution of Inayat Khan, Mushtaq Ali Khan, Alauddin Khan, Abdul Halim Zafar | 06 | |
| Unit 4 | 12 | 06 | |
| 4.1 | Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun | 05 | |
| 4.2 | Study of various parts and tuning of the Instrument opted for. | 07 | |
| Unit 5 | 12 | 06 | |
| 5.1 | Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them | 05 | |
| 5.2 | Writing in Notation the Compositions of Prescribed Ragas. | 07 | |
Practical – 160 Periods 70Marks
| S.N o | Topics | No. of periods 160 |
| 1. | One Razakhani hat in Bhairav Bageshri , Shudha Sarang and Malkauns with simple elaborations, Todas and Jhala. | 64 |
| 2. | Two masitkhani Gat in prescribed Ragas with simple elaborations and a few Todas. | 20 |
| 3. | Alaap, jor, Jhala in any one of the prescribed ragas with ability to produce meend of minimum two swaras | 12 |
| 4. | One composition in Ektala or in Jhaptala in any one of the prescribed ragas | 12 |
| 5. | One dhun | 10 |
| 6. | Ability to recite thekas of Jhaptal, Rupak , Tilwasa and Dhamar with Dugun, keeping tala with hand beats. | 12 |
| 7. | Ability to recognize the prescribed song or played by the examiner | 15 |
| 8. | Knowledge of structure and tuning of instrument opted for. | 15 |
Class XII 12th Music Melodic instruments syllabus & Answer,theory notes are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..
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