Cbse Board Class XII 12th Music Melodic Instruments Syllabus & Music Theory notes

Class XII 12th Music Melodic instruments syllabus – Music Theory notes in hindi

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HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)

Examination Structure for Assessment (2019-10)

Class XII

 TOTAL: 100 Marks

Theory  Time: 02 hours                                                                                                                   30 Marks

 Practical                                                                                                                             70 Marks

Time: 20-25 Minutes for each candidate

  •  Examiners are requested to ask the questions directly related to the
  • Marks should be awarded in accordance with the marking

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Distribution of Marks

Sr.

no.

Value

Points

Marks
1.Tuning of Instrument and questions regarding instrument05
2.Aalap, Jor, Jhala with Meend in choice Raga.10+05=1

5

3.Choice Raga (Masitkhani Gat and Razakhani)10
4.Razakhani Gat with Toda and Jhala of Examiner’s choice05
5.One composition in Ektala or in Jhaptala.05
6.One Dhun05
7.Identifying the Ragas.05+05=1

0

8.Reciting the Thekas of Talas with hand beats in Thah and

Dugun

05+05=1

0

9.Practical File05

 Teachers will refer to the distribution of Marks while examining the candidate for Practical Examination.

15

HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)

Course Structure 

Class XII                                            TOTAL: 100

Theory- 60 Period

Time: 02 hours                                                                                                                     30 Marks

  1. Questions to be set with internal choice covering the entire syllabus unit wise
  2. Candidate has to attempt at least one question from each

 

No.UnitsNo. of PeriodsMarks
Units 11206
1.1Brief study of the following

Gram, Murchhana, Varna, Alankar, Alap, Tana.

05
1.2Brief study of the following

Gamak, Meend, Kan, Khatka, Murki, krintan, Zamzama, Ghaseet, Sut.

07
Unit 21206
2.1Study of the following

Classification of Ragas- Ancient, Medieval and Moderm

06
2.2Historical development of time theory of Ragas06
Unit 31206
3.1Detail study of the following

1.    Sangeet Ratnakar

2.    Sangeet Parijat

06
3.2Life sketch and Contribution of Inayat Khan, Mushtaq Ali

Khan, Alauddin Khan, Abdul Halim Zafar

06
Unit 41206
4.1Description of Prescribed Talas along with Tala Notation-

Thah, Dugun, Tigun and Chaugun

05
4.2Study of various parts and tuning of the Instrument opted for.07
Unit 51206
5.1Critical study of Prescribed Ragas along with Recognizing

Ragas from phrases of Swaras and elaborating them

05
5.2Writing in Notation the Compositions of Prescribed Ragas.07

Practical – 160 Periods                                                                                                    70Marks

 

S.N

o

TopicsNo. of periods

160

1.One Razakhani hat in Bhairav Bageshri , Shudha Sarang and Malkauns with simple elaborations, Todas and Jhala.64
2.Two masitkhani Gat in prescribed Ragas with

simple elaborations and a few Todas.

20
3.Alaap, jor, Jhala in any one of the prescribed ragas

with ability to produce meend of minimum two swaras

12
4.One composition in Ektala or in Jhaptala in any one

of the prescribed ragas

12
5.One dhun10
6.Ability to recite thekas of Jhaptal, Rupak , Tilwasa and Dhamar with Dugun, keeping tala with hand

beats.

12
7.Ability to recognize the prescribed song or played

by the examiner

15
8.Knowledge of structure and tuning of instrument

opted for.

15

 

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Class XII 12th Music Melodic instruments syllabus & Answer,theory notes  are described  in this post  .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..

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