Hindustani Melodic Instrument Syllabus Code No. 035 for Class -XII 12th CBSE Board 2024-25
HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Examination Structure for Assessment
Class – XII
Theory Total: 100 Marks
Time: 02 hours 30 Marks
Practical (External Assessment)
Time: 20-25 Minutes for each candidate 70 Marks
1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.
Distribution of Marks
| Sr.No. | Value Points | Marks |
| 1. | Tuning of Instrument and questions regarding instrument | 05 |
| 2. | Aalap, Jor, Jhala with Meend in one choice Raga from prescribed Ragas: BhairavBageshriMalkauns | 10+05=1 5 |
| 3. | One Choice Raga (Masitkhani Gat and Razakhani) fromprescribed Ragas | 15 |
| 4. | Razakhani Gat with Toda and Jhala of Examiner’s choice | 05 |
| 5. | One composition in Ektala or in Jhaptala. | 05 |
| 6. | Identifying the prescribed Ragas. | 05+05=10 |
| 7. | Reciting the Thekas of prescribed Talas with hand beats in Thah, Dugun and Chaugun: JhaptalaRupak | 05+05=10 |
| 8. | Practical File | 05 |
- External Examiner will refer to the distribution of Marks while examining the candidate for Practical Examination.
HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Course Structure Class – XII
Theory 30 Marks
Periods – 40
Time: 02hours 70 Marks
1. Questions to be set with internal choice covering the entire syllabus.
| No. | Units | No. of Periods | Marks |
| Units 1 | 08 | 06 | |
| 1.1 | Brief study of the following Gram, Murchhana,Alankar, Alap, Taan. | 03 | |
| 1.2 | Brief study of the following Gamak, Meend, Kan, krintan, Zamzama, Ghaseet, Sut. | 05 | |
| Unit 2 | 05 | 06 | |
| 2.1 | Historical development of Time Theory of Raags | 05 | |
| Unit 3 | 08 | 06 | |
| 3.1 | Detail study of the following – Sangeet Ratnakar, Sangeet Parijat | 04 | |
| 3.2 | Life sketch and Contribution of Inayat Khan, Mushtaq Ali Khan, Alauddin Khan | 04 | |
| Unit 4 | 09 | 06 | |
| 4.1 | Description of Prescribed Taals along with Taal Notation with Thah, Dugun, Tigun and Chaugun prescribed Taals: Jhaptaal, Rupak | 04 | |
| 4.2 | Tuning of the Instrument opted for. | 05 | |
| Unit 5 | 10 | 06 | |
| 5.1 | Critical study of Prescribed Raags along with Recognizing Raags phrases of Swars and elaborating them. | 04 | |
| 5.2 | Writing in Notation the Compositions of Prescribed Raags : Bhairav, Bageshri, Malkauns. | 06 | |
Class XII
Practical –100 Periods 70 Marks
| Sr.No | Topics | No. of periods (100) |
| 1. | One Razakhani Gat in prescribed Ragas Bhairav , Bageshri , Malkauns with simple elaborations, Todas and Jhala. | 45 |
| 2. | One Masitkhani Gat in prescribed Ragas with simple elaborations and a few Todas. | 14 |
| 3. | Alaap, Jod, Jhala in any one of the prescribed ragas with ability to produce meend of minimum two swaras | 08 |
| 4. | One composition in Ektala or in Jhaptala in any one of the prescribed ragas. | 08 |
| 5. | Ability to recite thekas of Jhaptal, Rupak with Dugun, keeping tala with hand beats. | 08 |
| 6. | Ability to recognize the swaras of the prescribed Raags sung or played by the examiner. | 10 |
| 7. | Tuning of instrument opted for. | 07 |
Class XII 12th Music Melodic instruments syllabus & Answer,theory notes are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..
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