Class 11th Music syllabus (Vocal & Instrumental)- Music Theory notes
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HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for Assessment
Theory Time: 02 Hours 30 Marks
Practical TOTAL: 100 Mark 70 Marks
Time: 20-25 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
|1||Choice Raga (Vilambit & Drut Khyal)||15|
|2||Examiner’s Choice of Ragas||15|
|3||1 Drupad with Dugun and chaugun in anyone of the prescribed Ragas||10|
|4||Folk song, devotional, tribal.||08|
|5||Ability to recognize the prescribed ragas from the phrases of swaras rendend by the examiner||12|
|6||Recitation of Thekas- Thah, Dugun, Chaugun.||05+05=10|
Teachers will refer to the distribution of marks while examining the candidate for practical examination.
HINDUSTANI MUSIC VOCAL (Code – 034)
Class XI TOTAL: 100 Marks 30 marks
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each unit.
|1.1||Brief of the following|
Nada, Shruti, Swar, Saptak, Thaat, Jati, Laya, Tala
|1.2||Brief study of the following|
Margi- Desi, Nibaddha- Anibaddha Gan, Raga, Swarmalika, Lakshan Geet.
|2.1||Brief History of the following Dhrupad, Khayal and Taran||06||06|
|2.2||Brief study of various Gharans||06|
|3.1||Brief study of Musical Elements in Natya Shastra and Brihaddeshi||06||06|
|3.2||Life sketch and contribution of Tansen, V.N. Bhartkhane and V.D. Paluskar||06|
|4.1||Description of Prescribed Talas along with Tala Notation- Thah, Dugun and Chaugun||06||06|
|4.2||Knowledge of the Structure of Tanpura||04|
|5.1||Critical study of Prescribed Ragas along|
with Recognizing Rags from phrases of Swaras and elaboration them
|5.2||Writing in natation the compositions of Prescribed Ragas||08|
Class – XI
Practical -160 Periods 50 Marks
|S.No||Topics||No. of periods|
|1.||One Vilamlit Khyal with simple elaborations and few tanas in any one of the prescribed Ragas.||25|
|2.||One Drut Khyal with simple elaboration and few tans in the following Ragas- bihag, Jaunpuri, Bhairavi and Bhimpalasi.||68|
|3.||One Dhrupad with Dugun and Chaugun in any one of the prescribed Rags.||18|
|4.||a. One Devotional Songs.|
b. One Folk Song.
c. Tribal Song.
|5.||Ability to recognize the prescribed Ragas from the phrases of Swaras rendered by the Examiner.||08|
|6.||Recitation of the Thekas of Dadra, Keharwa, Teentala, Chautala, Sultala and Ektala with Dugun and Chaugun, keeping Tala with ahnd beats.||26|
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Class 11th Music syllabus & Music theory notes in Hindi are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..
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