Class XI 11th Music Percussion instruments syllabus – Music Theory notes in hindi
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HINDUSTANI MUSIC Percussion Instruments (Code – 036) Examination Structure for Assessment
Class XI
TOTAL: 100 Marks
Theory Time: 02 hours 30 Marks
Practical 70 Marks
Time: 20-25 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
Sr. No | Value Points | Marks |
1. | Solo Performance with Peshkar,Uthan , Kayda, Rela, Tukra, Chakradar Paran. | 10 |
2. | Talas of examiner’s choice from the prescribe syllabus | 10 |
3. | Rela Kayada, / Rela , Chakradar Tukra / Paran , Stuti Paran/ Farmaishi Chakradar. | 10 |
4. | Dalaya kayada / Rela with Palta in Teental/ Aditala | 10 |
5. | Damadr and isedamdar Tihai in prescribed Talas | 10 |
6. | Accompaniment of Eklata of chautala in different layes. | |
7. | Reciting of Tala and Composition with hand boats in different layas. | 10 |
Teachers will refer to the distribution of marks while examining the candidate for practical examination
HINDUSTANI MUSIC Percussion (CODE NO. 036) CLASS – XI (THEORY)
Course Structure
TOTAL: 100 Marks
Theory – 60 Periods
Time: 02 hours 30 marks
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each
Distribution of Marks
No. | Units | No.of Periods (60) | Marks |
Units 1 | 11 | ||
1.1 | Description of the Talas prescribed for Class XI. | 05 | 06 |
1.2 | Description of the following: Graha Jatti Kala Laya Sangeet Nada Swara | 06 | |
Unit 2 | 13 | 06 | |
2.1 | Classification of Indian musical instruments. | 07 | |
2.2 | Brief knowledge of Natyashastra with special reference to Awanaddh Vadya. | 06 | |
Unit 3 | 12 | 06 | |
3.1 | ntribution of Ahmad Jan Thirkwa, Anokhe Lal Mishra, Alla Rakha | 06 | |
3.2 | Short life sketch of Kudau Singh, Nana Panse, Parwat Singh | 06 | |
Unit 4 | 10 | 06 |
4.1 | Write brief note on Delhi and Banaras Gharana | 05 | |
4.2 | Salient feature of Kudau Singh Gharana and Punjab Gharana of Pakhawaj | 05 | |
Unit 5 | 14 | 06 | |
5.1 | Write in notation of the prescribed Talas and compositions in Thah (Barabar), Dugun, Tigun and Chaugun laya. | 07 | |
5.2 | Write a Tala Notation compositions in prescribed Talas. Prescribed Talas: Teentala/Adi Tala Jhaptala/Sul tala. | 07 |
Class- XI
Practical- 160 Periods 70 Marks
Course Structure
S.No | Topics | No. of periods 160 |
1. | Knowledge of Playing Thekas of Teentala or Adi Tala, Jhaptala or Sultala, Ektala or Chautala with Theka Bharao. | 25 |
2. | Ability to play two Kayada/Rela two Chakradar Tukra or Paran one Stuti Paran, Four Sadharan Tukras or Paran in Jhaptala or Sultala | 25 |
3. | Four advance Kayadas one Rela, two Chakardar Tukra or Paran, one Farmishi Chakardar Tukra or Paran in Teentala/Aditala | 40 |
4. | One Adalaya Kayada or Rela with Paltas and Tihai in Teentala or Adi Tala | 20 |
5. | Knowledge of playing Damdar ewam BedamTihai in prescribed Tala | 10 |
6. | Accompaniment of Vocal or Instrumental with Ektala or Chartala in different layas. | 20 |
7. | Solo performance of 10-15 minutes in Teental/Aditala. | 20 |
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Class XI 11th Music Percussion instruments syllabus & Answer,theory notes are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..
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