Caranatic Music Percussion Theory (Code No. 033) Format for Theory Examination for Class – XI 11th
For getting Answer of this music syllabus Search the topic in search bar of website . You will get the appropriate answer for the question.
CARNATIC (PERCUSSION INSTRUMENTAL)
Syllabus for Class XI 11th
Periods : 135 Max. Marks : 25
MRIDANGAM (CODE NO. 033)
CLASS–XI (THEORY)
One Theory Total Marks: 100 3 Hours
Marks: 30 72 Periods
Theory:
History and Theory of Indian Music
- Brief history of Carnatic Music with special reference to laya and percussion in Silappadikaram, Natya Sastra, Tala Deepikai, Brihaddesi, Sangita, Samprodaya Pradarsini.
- Short life sketch and contributions of the following: Patnam Subramany Iyer, Poochi (Ramnad) Srinivas Iyenger, Swati Tirunal, Dikshitar and Syama Sastry, Tyagaraja.
- Unique contribution of the following luminaries: Narayana Swamy Appa, Mamunidiya Pillai, Dakshinamurti Pillai and Alagunambi Pillai.
- Definition and explanation of the following: Nada, Sruti, Svara, Laya, Raga, Tala, Jati, Gati, Suladi+Sapta+Talas, Karani, Vettu Thattu, Hechchu, Taggu, Mohra and Korvai, Meettu, Chapu and Arachapu.
- The candidates should be able to write in notation of the percussion korvais in Adi and Rupaka talas.
- Knowledge of construction of the chosen percussion instrument.
- Basic knowledge of the construction and techniques of Ghatam. The candidate should be able to describe the Kanjira, Tavil and Morsing.
- Tattakarams (or Konnakkol) of the talas learnt.
CLASS–XI (PRACTICAL
One Practical Paper Marks: 70
168 Periods
Practical Activities
- Ability to play the following talas with elaboration. Adi and Rupakam Talas powering atleast two Nadais.
- Tekas and Mohras in different talas with Teermanam and Korvias.
- Tuning of the instrument.
- Ability to render orally the sollukattus of the various patterns in Adi, Rupaka and Chapu Talas.
Click here For english information of this post ..
Some posts you may like this…