Class 10th Music Melodic instruments syllabus – Music Theory notes in hindi
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HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 35)
Examination Structure for Assessment
Class X
Total : 100 Marks
Theory
Time: 02 hours 30 Marks
Practical 50 Marks
Time: 20-25 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
Sr. no. | Value Points | Marks |
1. | One Maseet Khani Gat with elaborations in Prescribed Raga | 10 |
2. | Aaroha, Avroha, Pakad, Drut Gat with few Todas and Jhala in each prescribed Raga | 24 |
3. | National Anthem on Instrument opted for | 04 |
4. | Dhun and Folk Dhun | 04 |
5. | Identification of prescribed Ragas from the phrases of Swaras rendered by the examiner | 04 |
6. | Recitation of Thekas of prescribed Talas with Dugun | 04 |
Teachers will refer to the distribution of Marks while examining the candidate for Practical Examination.
Internal Assessment 20 Marks
Hindustani Music Melodic Instrument (Code – 035) Course Structure
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each
No. | Units | No.of Periods (60) | Marks (30) |
Units 1 | 11 | 06 | |
1.1 | Definition of the following
Sangeet, Dhwani, Nada, Shruti, Swara, Saptak, Alankar, Thaat, Jati | 07 | |
1.2 | Definition of the following
Laya, Tala, Matra, Sam, Tali, Khali, Vibhag, Avartan | 04 | |
Unit 2 | 12 | 06 | |
2.1 | Definition of the following,
Raga,Aroha, Avroha, pakad, vadi, Samvadi, Anuvadi, Vivadi. | 04 | |
2.2 | Definition of the following
Gat, Sthai, Antara, Swarmalika, Lakshan Geet, Khayal, Dhrupad | 08 | |
Unit 3 | 13 | 06 | |
3.1 | An outline history of Hindustani Music of modern period with special reference to the works of Pt. Vishnu Narayan Bhatkhande and Pt. Vishnu Digambar Paluskar. | 08 | |
3.2 | Notation System of Pt. V.D Paluskar and Pt.V.N.Bhatkhande | 05 | |
Unit 4 | 12 | 06 | |
4.1 | Description of the following Ragas: | 06 |
Alhaiya Bilawal, Yaman, Bhairav, Kafi | |||
4.2 | Description and ability to do Tala- Notation of the following Talas: Teentala, Ektala, Jhaptala, Keharwa, Dadra | 06 | |
Unit 5 | 12 | 06 | |
5.1 | Ability to write notation of compositions in prescribed Ragas. | 08 | |
5.2 | Identify ragas from phrases and elaborate them in swaras | 04 |
Practical- 160 periods 50 Marks
S.No | Topics | No. of periods (160) |
1. | Six chalans set to all prescribed Ragas. | 12 |
2. | Eight Tala-baddha Alankaras set to all prescribed Ragas and Talas. | 16 |
3. | Aaroha, Avaroha, Pakad, Drut Gat with few Todas in the following Ragas: Alhaiya Bilawal, Yaman, Bhairav, Kaafi | 65 |
4. | Identification of prescribed ragas from the phrases of swaras rendered by the examiner. | 12 |
5. | · Two Dhuns · Two Folk Dhuns | 20
20 |
6. | Recitation of the Thekas of Dadra, Keharwa, Teentala, Ektala,Jhaptala, with Dugun, keeping Tala with hand beats | 15 |
HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Course Structure Class X
Theory- 60 Period
TOTAL: 100 Mark
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus unit wise
- Candidate has to attempt at least one question from each
No. | Units | No. of Periods | Marks |
Units 1 | 12 | 06 | |
1.1 | Definition of the following :
Aalap, Tana, Meend, Kan, Khatka, Murki. | 04 | |
1.2 | Definition of the following:
Dhamar, Thumri, Masitkhani Gat, Razakhani Gat, lok Dhun. | 08 | |
Unit 2 | 12 | 06 | |
2.1 | Origin and development of the instrument opted for. | 06 | |
2.2 | Basic knowledge of the structure and Tuning of any one of the following instruments:
Sitar Sarod Violin Dilruba or Esraj
Flute | 06 |
Mandolin
Guitar | |||
Unit 3 | 12 | 06 | |
3.1 | Detailed study of the following Ragas:
Khamaj, Des, Brindavani Sarang, Bhupali | 06 | |
3.2 | Description and Tala notation of the following Talas with Thah Dugun,Tigun and Chaugun
Tilwada, Chautala, Sultala, Rupak. | 06 | |
Unit 4 | 12 | 06 | |
4.1 | Ability to do notation of compositions in prescribed ragas. | 08 | |
4.2 | To identify Ragas from Phrases and elaborate them in Swaras. | 04 | |
Unit 5 | 12 | 06 | |
5.1 | Brief life sketch and contribution to music of Tansen, Allaudin Khan and Inayat Khan. | 06 | |
5.2 | Contibution of Omkar Nath Thakur, K.C.D Brahaspati, S.N Ratanjankar | 06 |
Practical – 160 Periods 50 Marks
S.No | Topics | No. of periods |
1. | One Maseetkhani Gat with simple Todas in any one prescribed ragas. | 18 |
2. | Aaroha, Avroha, pakad and Drut Gat with Tana and Jhala in the following ragas:
Bhupali, Khamaj, Des, Brindavani Sarang | 68 |
3. | Ability to play National Anthem on the instrument opted for. | 10 |
4. | a. Two Dhuns
b. Two Folk Dhuns | 20
20 |
5. | Ability to recognize the prescribed Ragas from the Phrases of swaras rendered by the examiner. | 12 |
6. | Recitation of the Thekas of the following Talas with Dugun, keeping Tala with hand beats: Tilwada, Chautala, Sultala, Rupak | 12 |
HINDUSTANI MUSIC
Melodic Instrument (Code – 035) Class X
Internal Assessment: 20 Marks
Project File: 05
- Writing in notation the musical composition of Ragas prescribed in the
- Identifying andInterviewing neighbourhood
- Draw & label any one instrument (melodic).
- Description and writing the notation of prescribed Talas with Layakaries ( Thah , Dugun, Tigun, Chaugun).
- Draw and label any one percussion
Project Work
Suggestive Topics * 05Interrelationship of the following;
- Music and Religion
- Music and cinema
- Music and electronic media
- Devotional aspects of music
- Interrelationship of Arts (music-dance or theatre or visual arts)
*Students may choose any one of the above topics or any other topic for project in consultation with the teacher.
- Periodic practical Test, restricted to three in an Academic 10
Average of best two tests to be taken for final marks submission.
Each test will examine a candidate for one Raga from the syllabus, one Folk song or one Dhun and two Talas
HINDUSTANI MUSIC Melodic Instrument (Code – 035) Class X
Internal Assessment: 20 Marks
Project File: 05
- Writing in notation the musical composition of Ragas prescribed in the
- Identifying andInterviewing neighbourhood
- Draw & label any one instrument (melodic).
- Description and writing the notation of prescribed Talas with Layakaries ( Thah , Dugun, Tigun, Chaugun).
- Draw and label any one percussion
Project Work
Suggestive Topics * 05
Interrelationship of the following;
- Music and Religion
- Music and cinema
- Music and electronic media
- Devotional aspects of music
- Interrelationship of Arts (music-dance or theatre or visual arts)
*Students may choose any one of the above topics or any other topic for project in consultation with the teacher.
- Periodic practical Test, restricted to three in an Academic 10
Average of best two tests to be taken for final marks submission. Each test will examine a candidate for one Raga from the syllabus, one Folk song or one Dhun and two Talas
Class 10th Music Melodic instruments syllabus & Answer,theory notes are described in this post .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..
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