Cbse Board Class ix 9th Music Percussion Instruments Syllabus & Music Theory notes

Class 9th Music Percussion instruments syllabus – Music Theory notes in hindi

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HINDUSTANI MUSIC PERCUSSION INSTRUMENTS (Code – 036)

Examination Structure for Assessment Class IX

TOTAL: 100 Marks

Theory

Time: 01 hours                                                                                                                                                              30 Marks

  1. Five questions to be set with internal choice covering the entire
  2. Out of the five questions, one question of compositions in Notation from the prescribed Taals will be compulsory.
  3. All questions will carry five marks

Practical                                                                                                                                                                           50 Marks

Time: 15-20 Minutes for each candidate

  1. Examiners are requested to ask the questions directly related to the
  2. Marks should be awarded in accordance with the marking

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Distribution of Marks

Sr. no.Value PointsMarks
*Basic techniques and bols of Tabla or Pakhawaj.05
*Kayadas or Relas, Tihai Sadharan Tukras or Parans Chakradar Tukras or Parans Mukharas and Damdar Tihais in Teentaal or Aditaal.08
*Kayada or Rela, Paltas, Tihai Tukras or Parans in Jhaptaal or Sultaal08
*Advance Kayadas, Paltas, Tihai Tukras or Parans, Damdar and Bedamdar Tihais in Teentaal or Aditaal.08
*Thekas of Teentaal or Aditaal, Jhaptala or Sultala, Ektala or Chartala05
*Thekas of Ektala, Keharwa and Dadra03
*Variations of Thekas in prescribed Talas03
*Solo Performance10
  • Teachers will refer to the Distribution of Marks while examine the candidate for

Practical Examination.

PERCUSSION (Code – 036)

Periodic Assessment Class IX(Code-036)

20 Marks

a)      Subject file – Compositions ( Kayada, Rela, Ttukra, Paran)                   10

b)      Project work related to any one eminent percussion artist.                  05

2. Description and writing the notation of prescribed talas with layakaris( Thah, Duguns, charugam)           05

Identifying the musical composition with which each tala is a composed. Identifying percussion artists. Labeling any one processional instruments.

Theory

HINDUSTANI MUSIC PERCUSSION INSTRUMENTS (Code – 036)

Examination Structure for Assessment Class IX

 TOTAL: 100 Marks

Time: 01 hours                                                                                                                                                              30 Marks

  • Definition of the following: Tala, Laya, Matra, Vibhag, Sam, Tali, Khali, Avartan, Theka, Kayada or Rela, Palta, Tihai, Tukra Chakradar, Mukhara and Paran.
  • Basic knowledge of own instruments (Tabla or Pakhawaj) its structure and its various
  • Elementary knowledge of the origin of Tabla or
  • Elementary knowledge of various Gharanas of Tabla or
  • Notation system of Pt. V.N. Bhatkhande and Pt. V. D.
  • Description and ability to do Tala Notation with Thah and Dugun Laya in Teentala or aditala, Jhaptala, sultala, Ektala or chautala, Keharwa and Dadra or
  • Notation of two Kayadas in Teentala with four Paltas and
  • Ability to write Rela, sadharan Tukra or Sadharan Paran,Chakradar tukra or Chakradar Paran and Mukhara in Tala Notation system in Teental or Asi
  • An outline History of Hindustani Music of Modern Period with special reference to the works of Pt. V.N. Bhathande and Pt. V. D.

Practical                                                                                                                                                                           50 Marks

  •  Knowledge of basic techniques and bols of Tabla or Pakhawaj and ability to do combinations of syllabus.
  • Ability to play Four Kayadas or Rela with four paltas and Tihai. Two sadharan Tukras or Parans, Two Chakradar Tukras or Parans, Two Mukharas, Two Damdar Tihais in Teentala or Adi
  • Ability to play One Kayada or Rela in Jhaptala or Sultala with four paltas and Tihai, One Tukra or Paran and One Damdar
  • Ability to play Two Advance Kayadas or Relas, Two Advance Chakradar Tukras or Parans, One Damdar and One Bedamdar Tihai in Teentala or Adi
  • Ability to play Thekas of Teentala or Aditala, Jhaptala or Sultala, Ektala or Chautala with Thah and Dugun
  • Ability to play Ektala or chautala, Keharwa or Chantala and Dadra with two variations in Thah and Dugun
  • Ability to play variations of Thekas in prescribed
  • Solo performance at least 8-10 minutes in Teentala or Adi

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Class 9th Music Percussion instruments syllabus & Answer,theory notes  are described  in this post  .. Saraswati sangeet sadhana provides complete Indian classical music theory in easy method ..

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