CBSE Board Class ix 9th Caranatic Percussion Syllabus & Music Theory notes is described in this post of Saraswati sangeet sadhana
Caranatic Music Percussion Theory (Code No. 033) Format for Theory Examination for Class – IX
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Caranatic Music Percussion
 Syllabus for Class IX
Periods : 135Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Max. Marks : 25
- Definition of the following terms :
Tala, Laya, Avartana, Kala, Kaala, Graha (Atita – Anagata – Sama), Nada, Sangeetam, Svara, Sthay Raga, Alankara, Arohana, Avarohana, Uttaranga and Purvanga.
- Brief history of Carnatic music with reference to Purandara Dasa, Tyagaraja, Muthuswamy, Dikshitar and Syama
- Basic knowledge of opted
- Description and writing notation of sollukattus in Adi, Rupakam and chapu talas (all varieties).
- Brief lakshanas of musical forms – Geetam Svarajati,
Max. Marks : 25
- Life and constribution of any one of the compsers mentioned in topic 5 marks
- Construction and playing techniques of opted percussion instrument 5 marks
- Writing in notation, the Sollukattus for Adi/Roopakam/Chapu Talas 5 marks
- Briefly explaining the lakshanas of any one of the Musical Term from topic V
5 marks
- Writing short – notes on five technical terms from the syllabus 5 marks
Note : Examiner should give internal choice for all the question set up.
- Ability to recite Sollukattus for the prescribed talas with varieties and in at-least three
- Ability to play Sollukattus (simple) in Adi, Rupaka and Chapu Tala
- Reciting the Sapta Tala Alankaras in three degrees of
- Questions based on the construction and playing techniques adopted for Kanjira
and Ghatam.
- Basic technical knowledge adopted for Mridangam play and short bouts of accompanying in the format of Tattakaramas for Janta Svaras, Patterns, alankarams, geetam,
Caranatic Music – Percussion Practical (Code No. 033) Format for Practical Examination for Class – IX
 Max. Marks : 75
- Reciting of Sollukattus for the prescribed talas with varities at-least in three 15 marks
- Ability to paly simple Sollukattus for Adi, Roopaka and Chapu tala                                                                 15 marks
- Reciting the Sapta tala alankaras in three degrees of 15 marks
- Questions based on the construction and playing techniques adopted in Khanjira and Ghatam.                                                                                  10 marks
- Ability to explain the special technical knowledge, employed in Mridangam and following it up with Tattakaram accompariment for Janta Swaras, Alankaras, Geetam and 20 marks
CBSE Board Class ix 9th Caranatic Percussion Syllabus & Music Theory notes is described in this post of Saraswati sangeet sadhana
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